In order to allow narcissistic identification, the [fascist] leader has to appear himself as absolutely narcissistic, and it is from this insight that Freud derives the portrait of the ‘primal father of the horde’ which might as well be Hitler’s.
He, at the very beginning of the history of mankind, was the Superman whom Nietzsche only expected from the future. Even today, the members of a group stand in need of the illusion that they are equally and justly loved by their leader, but the leader himself need love no one else, he may be of a masterly nature, absolutely narcissistic, but self-confident and independent. We know that love puts a check upon narcissism, and it would be possible to show how, by operating in this way, it became a factor of civilization.
One of the most conspicuous features of the agitator’s speeches, namely the absence of a positive programme and of anything [he] might ‘give’, as well as the paradoxical prevalence of threat and denial, is thus being accounted for; the leader can be loved only if he himself does not love. Yet Freud is aware of another aspect of the leader image which apparently contradicts the first one. While appearing as a superman, the leader must at the same time work the miracle of appearing as an average person, just as Hitler posed as a composite of King Kong and the suburban barber. […] Even the fascist leader’s startling symptoms of inferiority, his resemblance to ham actors and asocial psychopaths, is thus anticipated in Freud’s theory. For the sake of those parts of the follower’s narcissistic libido which have not been thrown into the leader image but remain attached to the follower’s own ego, the superman must still resemble the follower and appear as his ‘enlargement’. Accordingly, one of the basic devices of personalized fascist propaganda is the concept of the ‘great little man’, a person who suggests both omnipotence and the idea that he is just one of the folks, a plain, red-blooded American, untainted by material or spiritual wealth. Psychological ambivalence helps to work a social miracle. The leader image gratifies the follower’s twofold wish to submit to authority and to be the authority himself.
Theodor W. Adorno, "Freudian Theory and the Pattern of Fascist Propaganda", The Culture Industry. Selected essays on mass culture, ed. J. M. Bernstein, Routledge, London, 1991, pp. 141-142