Dialogue on the Threshold

Schwellendialog

08 March 2020

toothache

"Where the hell am I?"
A single point of rock, peak of a mountain range, one tooth set in the ancient jaw of a sunken world, projecting through the inconceivable vastness of the whole ocean--and how many miles from dry land? An evil pervasion, not the convulsive panic of his first struggles in the water, but a deep and generalized terror set him clawing at the rock with his blunt fingers.

William Golding, Pincher Martin, Faber and Faber, 1956; 1962, p. 30. 


Christopher Hadley Martin had no belief in anything but the importance of his own life, no God. Because he was created in the image of God he had a freedom of choice which he used to centre the word on himself. He did not believe in purgatory and therefore when he died it was not presented to him in overtly theological terms. The greed for life which was the mainspring of his nature forced him to refuse the selfless act of dying. He continued to exist separately in a world composed of his own murderous nature. His drowned body lies rolling in the Atlantic but the ravenous ego invents a rock for him to endure on. It is the memory of an aching tooth. Ostensibly and rationally he is a survivor from a torpedoed destroyer: but deep down he knows the truth. He is not fighting for bodily survival but for his continuing identity in face of what will smash it and sweep it away--the black lightning, the compassion of God. For Christopher, the Christ-bearer, has become Pincher Martin who is little but greed. Just to be Pincher is purgatory; to be Pincher for eternity is hell.

William Golding, 
quoted in Bernard S. Oldsey and Stanley Weintraub,  The Art of William Golding,
 Bloomington: University of Indiana, 1965, p. 94.




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